Reverend Freakchild – Illogical Optimism
Treated and Released Records
www.www-reverendfreakchild.org
www.treatedandreleasedrecords.com
3 Discs / 35 tracks / 2:29:00
Reverend Freakchild is not your everyday average bluesman. Sure, he can play the blues in all of its forms, but his albums are way out there in the blues realm: they confuse old people, make little kids cry, and cause fellow musicians to grin from ear-to-ear. His latest project is no exception, and it is a worthy follow-up to last year’s amazing Hillbilly Zen-Punk Blues. This time around he has put together Illogical Optimism, which is two discs of his own material plus a third disc from another reverend, Ramblin’ Jennings. Personnel for this project included the Reverend on vocals and guitar, Chris Parker on the skins, Hugh Pool on lap steel, and backing vocals from The Mulebone Singers.
Disc 1: Odds, Ends and Other Amazingness is 67 minutes of a little bit of everything – it is not just a clever title. You will hear that the Reverend has mad guitar skills and a versatile voice, and that Chris Parker is one hell of a drummer. These songs are a collection of popular and obscure covers, and none of them are performed as they were by the original artists. “Who Do You Love” maintains its Bo Diddley beat, but gets a spooky spoken-word vibe. “All Along the Watchtower” goes reggae, but keeps a Hendrix-like solo. And John Lennon’s “Imagine” has Lou Reed written all over it, so there are surely dead hippies everywhere spinning in their graves. This might seem terrible on paper, but everything works out beautifully and in the end and it all sounds wonderful. Trust me.
Disc 2: Everything is Now is something completely different. In a little under an hour, the gang gives a dozen completely different takes on the same song: the catchy “All I Got is Now” from the Hillbilly Zen-Punk Blues album. How different? He does versions of the song in French and German, as well as interpreting it in genres such as punk, funk, reggae, and even “hillbilly.” The hillbilly version (“Alla Gotta Na’”) is breathtakingly stripped down, with lovely banjo and harp accompaniment. Likewise, the acoustic demo version is really cool with a roots vibe and barely intelligible lyrics thanks to a really up-front guitar sound.
Disc 3: Kairos is from Florida’s Ramblin’ Jennings, and this EP (24 minutes) is stripped down and full of awesome. Jennings gets the work done with just his voice, an acoustic guitar, and a harmonica. There are seven original tunes of Gulf Coast blues that use plenty of slide guitar, and Jennings’ voice is perfect for them -- full and timeworn, and dripping with character. There is also one traditional tune, and this vocals-only version of “John the Revelator” is powerful and full of terrifying biblical imagery.
Well, I cannot recommend Illogical Optimism enough. Reverend Freakchild pushes the boundaries of blues and approaches old songs in new ways that really makes the listener think. And his buddy Ramblin’ Jennings brings blues down to its basics to provide a touch point for the other two discs. Give it a listen for yourself, and check out his website for upcoming tour dates as he his getting around quite a bit this summer.
